Chiccart: countdown to the inauguration of the
first art showroom
The inauguration of Chiccart Collection, the first contemporary art showroom, is set for 24 June in Concorezzo (MB).
Born from the idea of Francesca Castellano, Chiccart Collection will display the works of several contemporary artists she discovered during her artistic career: working in the art world first as a private collector in 2015, she later became a promoter of young emerging artists.
Her passion for Pop and Street Art led her down a path with the aim of creating a new concept of art exhibition, transforming it into an online gallery with a social matrix, which immediately attracted the interest of the public in the sector, which then led to numerous collaborations with her promoting art, from the Fuori Salone in Milan to Fashion Week.
From the virtual and social world to the real one, the step was short and 'compulsory', giving birth to the Chiccart Collection Showroom, which will also be a place to search for artists who best express the artistic, historical and contextual context in which this art can best express itself.
The inauguration, and the opening to the public of the Contemporary Art Showroom, is scheduled for 24 June p.v., starting at 6 p.m., in via Libertà 155 in Concorezzo (MB), with the presence of numerous exponents of contemporary art and sponsored by Artedile S.n.c. and will see the presence of numerous artists, including Sara Arnaout, Bruno Bani, Daniele Falanga, Rodolfo Guzzoni, Hipo, Paolo Pastorino, Davide Maria Seme, Zive, 2Fast; there will also be a selection of works by Getulio Alviani, Bernard Aubertin, Franco Costalonga, Ennio Finzi, Marcolino Gandini, Edoardo Landi and Alfredo Rapetti.
FB: Chicca Art
Instagram: Chiccart.collection
Website (under construction) : www.chiaccartcollection.com
Born from the idea of Francesca Castellano, Chiccart Collection will display the works of several contemporary artists she discovered during her artistic career: working in the art world first as a private collector in 2015, she later became a promoter of young emerging artists.
Her passion for Pop and Street Art led her down a path with the aim of creating a new concept of art exhibition, transforming it into an online gallery with a social matrix, which immediately attracted the interest of the public in the sector, which then led to numerous collaborations with her promoting art, from the Fuori Salone in Milan to Fashion Week.
From the virtual and social world to the real one, the step was short and 'compulsory', giving birth to the Chiccart Collection Showroom, which will also be a place to search for artists who best express the artistic, historical and contextual context in which this art can best express itself.
The inauguration, and the opening to the public of the Contemporary Art Showroom, is scheduled for 24 June p.v., starting at 6 p.m., in via Libertà 155 in Concorezzo (MB), with the presence of numerous exponents of contemporary art and sponsored by Artedile S.n.c. and will see the presence of numerous artists, including Sara Arnaout, Bruno Bani, Daniele Falanga, Rodolfo Guzzoni, Hipo, Paolo Pastorino, Davide Maria Seme, Zive, 2Fast; there will also be a selection of works by Getulio Alviani, Bernard Aubertin, Franco Costalonga, Ennio Finzi, Marcolino Gandini, Edoardo Landi and Alfredo Rapetti.
FB: Chicca Art
Instagram: Chiccart.collection
Website (under construction) : www.chiaccartcollection.com
Castellano Francesca was born in Milan on 22 October 1974. She is co-founder of the company Artedile snc and Promoter Chiccart-collection.
She started as a private collector in 2015 and later became a promoter of young emerging artists. Her passion for Pop and street art led her down a path with the aim of creating a new concept of art exhibition: the online gallery with a social matrix.
Thus Chiccart.collection was born, first on Facebook and then on Instagram:
FB: Chicca Art
Instagram: Chiccart.collection
Numerous are the collaborations in which her artistic promotion has taken centre stage, from the Fuori Salone in Milan to Milan Fashion Week.
On 24 June 2022 from 18:00 there will be the inauguration of the brand new showroom in Via Libertà 155 in Concorezzo.
She started as a private collector in 2015 and later became a promoter of young emerging artists. Her passion for Pop and street art led her down a path with the aim of creating a new concept of art exhibition: the online gallery with a social matrix.
Thus Chiccart.collection was born, first on Facebook and then on Instagram:
FB: Chicca Art
Instagram: Chiccart.collection
Numerous are the collaborations in which her artistic promotion has taken centre stage, from the Fuori Salone in Milan to Milan Fashion Week.
On 24 June 2022 from 18:00 there will be the inauguration of the brand new showroom in Via Libertà 155 in Concorezzo.
The Fashion Colors
I bring you my personal experience in the art sector, specifically emerging contemporary art.
My experience stems from the viewer's side, in the sense that I was born as a collector and admirer of pop and street art with an eye for emerging art and then embracing all related artistic expressions.
From this premise began an activity in which I seek out the artists who best express the artistic, historical and contextual context in which this art can best express itself.
And we come to the theme of this report...
The premise is that this ominous event and the related containment measures are putting a strain on a country that was already struggling economically in recent years. This epidemic seems to be the coup de grace. Even the sectors that have kept our country's name high abroad (and I am referring to the fashion and made in Italy sectors) are suffering losses that I cannot even imagine.
That said, those who, like me, have had a digital, social and therefore online approach to their work from the outset seem to have found a lifeboat in this economic storm.
I am not saying that the limitations imposed do not have consequences, because I would be speaking a falsehood, but they are certainly not suffered in the same way as in sectors where a direct relationship with the public is essential.
The art world has been using the media, social networks and the web for several years now to voice its issues, positions and/or opposition, just think of Banksy in recent years...
The historical art galleries accustomed to direct contact with the public were, and now even more so, in decline while the new generation galleries that have their own online gallery are achieving important results.
Now more than ever, online galleries are active and are also dedicating works made during quarantine to their collectors.
For several years, there have been several web platforms dedicated to art, both as shops and auctions. There are some of them with frightening turnovers. Unfortunately, they are all foreign. It is not hard to imagine why they fail to take off here in Italy. Imagine the bureaucracy and the costs. So here it is that in countries where everything is simpler, even at the fiscal level, these sites proliferate and add more and more members, also thanks to affordable commissions for both sellers and buyers.
We would not be able to take advantage of online if there had not been a photographic revolution that in the age of social media has made it possible for anything from fashion to art, from travel to cooking to reach everyone and everywhere.
What, then, is the future of art?
In my opinion, it is to follow what is already happening with a focus on the implementation and facilitation of e-commerce. To ride all the trends influenced by technological advances. Virtual and augmented reality and artificial intelligence are only in their infancy in my industry, so let's make the most of the technology of mobile devices, which continue to play an important and vital role in
My experience stems from the viewer's side, in the sense that I was born as a collector and admirer of pop and street art with an eye for emerging art and then embracing all related artistic expressions.
From this premise began an activity in which I seek out the artists who best express the artistic, historical and contextual context in which this art can best express itself.
And we come to the theme of this report...
The premise is that this ominous event and the related containment measures are putting a strain on a country that was already struggling economically in recent years. This epidemic seems to be the coup de grace. Even the sectors that have kept our country's name high abroad (and I am referring to the fashion and made in Italy sectors) are suffering losses that I cannot even imagine.
That said, those who, like me, have had a digital, social and therefore online approach to their work from the outset seem to have found a lifeboat in this economic storm.
I am not saying that the limitations imposed do not have consequences, because I would be speaking a falsehood, but they are certainly not suffered in the same way as in sectors where a direct relationship with the public is essential.
The art world has been using the media, social networks and the web for several years now to voice its issues, positions and/or opposition, just think of Banksy in recent years...
The historical art galleries accustomed to direct contact with the public were, and now even more so, in decline while the new generation galleries that have their own online gallery are achieving important results.
Now more than ever, online galleries are active and are also dedicating works made during quarantine to their collectors.
For several years, there have been several web platforms dedicated to art, both as shops and auctions. There are some of them with frightening turnovers. Unfortunately, they are all foreign. It is not hard to imagine why they fail to take off here in Italy. Imagine the bureaucracy and the costs. So here it is that in countries where everything is simpler, even at the fiscal level, these sites proliferate and add more and more members, also thanks to affordable commissions for both sellers and buyers.
We would not be able to take advantage of online if there had not been a photographic revolution that in the age of social media has made it possible for anything from fashion to art, from travel to cooking to reach everyone and everywhere.
What, then, is the future of art?
In my opinion, it is to follow what is already happening with a focus on the implementation and facilitation of e-commerce. To ride all the trends influenced by technological advances. Virtual and augmented reality and artificial intelligence are only in their infancy in my industry, so let's make the most of the technology of mobile devices, which continue to play an important and vital role in